Time became the common thread, spiralling from 12 o’clock around each disc. Major Tom appeared as a fluid circle, Ground Control as a square, while instruments orbited like constellations. Classical strings and futuristic synths were mapped to show their interplay, revealing why the crescendo lifts us into space both musically and emotionally. The visual investigation was then brought to life with animation, in a freer attempt to link various aspects of the deconstruction to the actual music.